Veuillez indiquer si vous voulez ou non que les autres utilisateurs puissent voir dans votre profil que cette bibliothèque est l’une de vos préférées.
Trouver un exemplaire dans la bibliothèque
WorldCat
Chercher l’ouvrage dans les bibliothèques à travers le monde
Des bibliothèques à travers le monde possèdent cet ouvrage
Recherche de bibliothèques qui possèdent cet ouvrage...
Détails
| Type d’ouvrage : | Musique |
|---|---|
| Format : | Enregistrement sonore |
| Tous les auteurs / collaborateurs : |
Alvin Lucier; Matthew Welch; Miki Maruta; Ryuko Mizutani; Kayoko Nakagawa; Yoko Nishi; Brian Johnson; Drescher-Okabe-Armbruster Trio. |
| Numéro OCLC : | 122938921 |
| Notes : | The 1st work for bagpipe ; 2nd work for koto quartet ; 3rd work for solo flute ; 4th work for triangle ; 5th work for flute, piano and alto saxophone. Compact disc. Program notes by the author in English with French and German translations ([7]p.) inserted in container. |
| Interprète(s) : | Matt Welch, bagpipe ; Miki Maruta, Ryuko Mizutani, Kayoko Nakagawa, Yoko Nishi, kotos ; Jacqueline Martelle, flute (3rd work) ; Brian Johnson, triangle ; Drescher-Okabe-Armbruster Trio (Erik Drescher, flute ; Akiko Okabe, piano ; Sascha Armbruster, alto saxophone). |
| Notes sur la production : | Recorded: June 12, 1991 (4th work), and Nov. 22, 2000 (1st work), at Crowell Concert Hall, Wesleyan University, Middletwon, CT ; Apr. 29, 2002 (3rd work), and Feb. 8, 2005 (2nd work) at Systems Two, Brooklyn, NY ; Feb. 27, 2004 (5th work) at Hans-Rosbaud-Studio, Baden-Baden by the SWR, Germany. |
| Description : | 1 sound disc : digital ; 4 3/4 in. |
| Autres titres : | Instrumental music. |
| Responsabilité : | Alvin Lucier. |
| Plus d’informations : |
Détails - 'Alvin Lucier: Ever Present'
| Genre / Style : | Chamber Music; | ||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Description : | Contemporary, United States of America, Chamber Music | ||||||||||||||||||||||||
| Contenu : |
|
Détails - 'Alvin Lucier: Ever Present'
| Genre / Style : | Classical; Style: Modern Composition | ||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Description : | Avant-Garde, United States of America, Modern Composition | ||||||||||||||||||||||||
| Contenu : |
|
Critiques
All Music Guide
Alvin Lucier: Ever Present
The minimalism of Alvin Lucier represented by the pieces on this album is far purer than the "minimalism" of Philip Glass and Steve Reich, who correctly reject that label. Lucier is closer to a variety of minimalism exemplified by the visual artists to whose work the term was originally applied, artists whose paintings, prints, and sculptures contain so few variables that they require extremely close inspection to detect the most subtle differences in color, texture, or pattern. Musical minimalism of this variety demands close attention and, because music unfolds over time, patience. In Piper, a bagpiper plays a single tone, with the only changes resulting from the spatial variables as the player moves around the room. Silver Streetcar for the Orchestra consists of a single triangle being struck continuously for over 16 minutes. The listener should be alerted to turn the volume to a very low setting before listening to this track, otherwise the sound becomes physically painful. Ever Present, for flute, piano, and alto saxophone, is the most eventful piece on the album, but the work's nearly undifferentiated volume level; the use of only long, sustained tones; and the extremely slow rate of change qualify it as genuine minimalism. Lucier has long been a pioneer of the American avant-garde, unwavering in the face of changing fashions. This recording should be of interest to listeners with a commitment to the edgiest modernism. ~ Stephen Eddins, Rovi Lire la suite...
Alvin Lucier: Ever Present
La critique n’est pas disponible.